Minnesota Humanities Center

St. Paul & Online - Minnesota Writers Series: Through the Banks of the Red Cedar
2024-02-24 14:00 - 16:00 (America/Chicago) | Minnesota Humanities Event Center, 987 Ivy Avenue East, Saint Paul, MN, 55106, United States
Join us for the February 2024 edition of the Minnesota Writers Series as we welcome multidisciplinary artist, Maya Washington, who will discuss her documentary film, “Through the Banks of the Red Cedar,” and memoir, “Through the Banks of the Red Cedar: My Father and the Team that Changed the Game.” Through film clips, book readings, and conversation, Maya will highlight her bond with and appreciation for her father, Gene Washington, a celebrated professional athlete who came of age during the peak of the civil rights movement. Maya will be joined by noted author and educator, Dr. Artika Tyner, who will moderate the discussion.
Maya Washington will be available for book signing and conversation after the event. “Through the Banks of the Red Cedar: My Father and the Team that Changed the Game,” will be available for purchase at the event.
About the Book
“Through the Banks of the Red Cedar” follows Maya Washington’s path towards understanding the legacy of her father, Gene Washington. Maya retraces her father’s journey from the segregated south to Michigan State University during the peak of the Civil Rights Movement and his journey as a groundbreaking NFL player after the 1967 draft. Through the memoir, Maya reflects on the influence her father’s childhood had on her upbringing, the emotional bond of teammates and friends, and the deepened connection she has to her family and football.
About the Author
Maya Washington is an award-winning, multi-hyphenate artist: writer, poet, director, narrative and documentary filmmaker (writer/director/producer), actress, creative director, visualist (photography), and arts educator. Her background, on stage/camera and behind the scenes, has given her the opportunity to work on everything from public art, live theatre, commercials and print ads, to web series, films and television. Maya received a BA in Dramatic Arts from the University of Southern California and an MFA in Creative Writing from Hamline University. As a writer, Maya’s poetry and prose have been featured in a number of literary journals and notable anthologies including “The BreakBeat Poets Vol. 2 : Black Girl Magic” (Haymarket Books 2018), “Nothing To Lose But Our Chains: Black Voices on Activism, Resistance and Love” (Justice Matters Press, 2018), and “The Beiging of America: Personal Narratives About Being Mixed Race in the Twenty-First Century” (2Leaf Press, 2017). Additionally, Maya received a Pushcart nomination from The Under Review literary journal for her poetry inspired by the historic MLK Tennis Buffs of St. Paul’s Rondo neighborhood. She is the editor of “White Space Poetry Anthology” featuring the work of deaf and hearing poets as a companion to her award-winning short film starring Ryan Lane, “White Space.” Her award-winning film, “Through the Banks of the Red Cedar,” about her father Vikings Legend Gene Washington and the desegregation of college football aired on the Big Ten Network and is currently available on PBS platforms. Her memoir, “Through the Banks of the Red Cedar: My Father and the Team that Changed the Game,” is an Amazon Editor’s pick for Best History, and was a 2023 Finalist for the Minnesota Book Award. As a freelance tv and film director, Maya has directed episodes of the Fox series “The Killer Next Door,” History Channel’s “I Was There,” and the PBS Kids series “Black SciGirls.”
Besides being her first memoir, “Through the Banks of the Red Cedar: My Father and the Team that Changed the Game” is also a documentary, “Through the Banks of the Red Cedar,” directed, produced, and written by Maya. The documentary is available on PBS platforms including PBS Documentaries Channel through Amazon Prime, Comcast, and iTunes. The film has been shown at community screenings and film festivals across the country. A curriculum for communities and educators is available at throughthebanksoftheredcedar.com.
About the Moderator
Advocate, attorney, author, and educator Dr. Artika Tyner is committed to creating a more inclusive and racially and economically just world. She received her BA from Hamline University and her JD, Master of Public Policy, and EdD from the University of St. Thomas. A prolific author, Dr. Tyner has written books for children and adults promoting literacy, cultural awareness, and leadership development. She is the founder and director of the nonprofit Planting People Growing Justice Leadership Institute.
Registration
This free event will be in-person with an option to attend virtually via Zoom. Registration required. Captioning will be available for those attending virtually.
Registration Questions: registrations@mnhum.org
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St. Paul - An Evening of Haiku and Anishinaabe Song with Kimberly Blaeser, Gordon Henry, Jr., and Gerald Vizenor.
2024-06-26 17:30 - 20:00 | Minnesota Humanities Event Center, 987 Ivy Avenue East, Saint Paul, MN, 55106, United States
Join us for a very special evening of poetry and music with esteemed poets and writers, Kimberly Blaeser, Gordon Henry, Jr., and Gerald Vizenor. Our guests will share haiku, Anishinaabe dream songs, music, as well as conversation with one another and the audience on their work and inspirations. In the spirit of nourishing our bodies and our minds, prior to the event, we invite you to join us for a complimentary community meal, during which we will be joined by special musical guest, Phil Fried.
Books by Blaeser, Henry, and Vizenor will be available for purchase at the event through Birchbark Books, and book signing will take place after event activities have ended.
This event is presented in partnership with Indigenous Nations Poets (IN-NA-PO), a national Indigenous poetry community committed to mentoring emerging writers, nurturing the growth of Indigenous poetic practices, and raising the visibility of all Native writers past, present, and future. In-Na-Po recognizes the role of poetry in sustaining tribal sovereign nations and Native languages.
About our guests:
Kimberly Blaeser, past Wisconsin Poet Laureate and founding director of Indigenous Nations Poets, is a poet, photographer, and scholar. She is the author of six poetry collections, most recently Ancient Light (2024), Résister en dansant/Ikwe-niimi: Dancing Resistance (2020), and Copper Yearning (2019). Blaeser edited Traces in Blood, Bone, and Stone: Contemporary Ojibwe Poetry, wrote the monograph Gerald Vizenor: Writing in the Oral Tradition on the work of fellow White Earth writer, and served as contributing editor for When the Light of the World Was Subdued, Our Songs Came Through: A Norton Anthology of Native Nations Poetry (2020). Her poetry is widely anthologized and her photographs, picto-poems, and ekphrastic pieces have appeared in exhibits such as “Visualizing Sovereignty,” and “No More Stolen Sisters.” An Anishinaabe activist and environmentalist, she is an enrolled member of White Earth Nation and grew up on the reservation. The 2024 Mackey Chair in Creative Writing at Beloit College, Blaeser is a Professor Emerita at UW–Milwaukee and an MFA faculty member for Institute of American Indian Arts. She serves on the Poetry Coalition of the Academy of American Poets, and as Vice President of Letters for Wisconsin Academy of Sciences, Arts, and Letters. Her accolades include a Lifetime Achievement Award from Native Writers’ Circle of the Americas. Blaeser splits her time between her home in rural Wisconsin and a water-access cabin adjacent to the Boundary Waters Canoe Area Wilderness in Minnesota.
An Anishinaabe poet and novelist, Gordon Henry, Jr. is an enrolled member of the White Earth Nation of Minnesota. He is the author of the poetry collection Spirit Matters: White Clay, Red Exits, Distant Other (2022), a mixed-genre collection The Failure of Certain Charms and Other Disparate (2007), a chapbook Outside White Earth (1986), and the novel The Light People (1994) which won an American Book Award. He co-published an educational reader The Ojibway (2004) with George Cornell, and his poetry, fiction, and essays have appeared in various journal and anthologies in the U. S. and Europe including in New Poets of Native Nations (2018), When the Light of the World Was Subdued, Our Songs Came Through (2020), and Living Nations, Living Words (2021). A past Professor in the English Department at Michigan State University, he also served for many years as Senior Editor of the American Indian Studies Series at Michigan State University Press, and held a Fulbright Lectureship in Spain. Gordon now lives in Empire, Michigan.
Gerald Vizenor is Professor Emeritus of American Studies at the University of California, Berkeley. He is a citizen of the White Earth Nation in Minnesota, and has published more than forty books, novels, literary and cultural studies, and poetry. Native Provenance: The Betrayal of Cultural Creativity, a collection of essays, is his most recent publication. Vizenor has received many awards including the American Book Award for Griever: An American Monkey King in China, the Western Literature Association Distinguished Achievement Award, and the Mark Twain Award from the Society for the Study of Midwestern Literature.
Registration
There is no cost to attend this event, however registration is required. A complimentary light evening meal will be served at 5:30 p.m. prior to the event start at 6:00 p.m.
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St. Paul - Indigenous Nations Poets: Poetry Reading
2024-06-28 17:30 - 20:00 | Minnesota Humanities Event Center, 987 Ivy Avenue East, Saint Paul, MN, 55106, United States
The Minnesota Humanities Center (MHC), in partnership with Indigenous Nations Poets (IN-NA-PO) is honored to present an evening of poetry readings with this year’s IN-NA-PO fellows and visiting writers. Capping off their week-long retreat at MHC, a group of IN-NA-PO fellows and visiting writers will share some of their original work and engage each other and the audience in conversation. Fellows taking part include Anangookwe Wolf, Anthony Ceballos, Bonney Hartley, Halee Kirkwood, Kalehua Kim, Kinsale Drake, Sunni Parisien, and Tacey Atsitty. Hosting this event will be former Wisconsin Poet Laureate Kimberly Blaeser, City of Minneapolis Poet Laureate Heid E. Erdrich, and Minnesota Poet Laureate Gwen Nell Westerman.
In the spirit of nourishing our bodies and our minds, prior to the event, we invite you to join us for a complimentary community meal. Books will be available for purchase at the event through Birchbark Books, and book signing will take place after event activities have ended.
This event is presented in partnership with Indigenous Nations Poets (IN-NA-PO), a national Indigenous poetry community committed to mentoring emerging writers, nurturing the growth of Indigenous poetic practices, and raising the visibility of all Native writers past, present, and future. In-Na-Po recognizes the role of poetry in sustaining tribal sovereign nations and Native languages.
About the event hosts:
Kimberly Blaeser, past Wisconsin Poet Laureate and founding director of Indigenous Nations Poets, is a poet, photographer, and scholar. She is the author of six poetry collections, most recently Ancient Light (2024), Résister en dansant/Ikwe-niimi: Dancing Resistance (2020), and Copper Yearning (2019). Her photographs, picto-poems, and ekphrastic pieces have appeared in exhibits such as “Visualizing Sovereignty,” and “No More Stolen Sisters.” An Anishinaabe activist and environmentalist, she is an enrolled member of White Earth Nation and grew up on the reservation. The 2024 Mackey Chair in Creative Writing at Beloit College, Blaeser is a Professor Emerita at UW–Milwaukee and an MFA faculty member for Institute of American Indian Arts. Her accolades include a Lifetime Achievement Award from Native Writers’ Circle of the Americas. Blaeser splits her time between her home in rural Wisconsin and a water-access cabin adjacent to the Boundary Waters Canoe Area Wilderness in Minnesota.
Heid E. Erdrich grew up in Wahpeton, North Dakota and is Ojibwe enrolled at Turtle Mountain. Heid teaches, edits, and curates visual arts exhibitions with a focus on Native American art. Many of her seven poetry collections contain works created for collaborations with visual artists. Her poetry collection Little Big Bully, 2020, won a National Poetry Series award and the Bobbitt prize from The Library of Congress. Heid edited the 2018 anthology New Poets of Native Nations which won an American Book Award from the Before Columbus Foundation. She is the 2024 Minneapolis Poet Laureate.
Gwen Nell Westerman is a poet, visual artist, and scholar. Her roots are deep in the landscape of the tallgrass prairie and reveal themselves in her art and writing. She is an enrolled citizen of the Sisseton Wahpeton Oyate, and her father’s family is from the Heipa District. Her mother’s family is from the Flint District of the Cherokee Nation of Oklahoma. Neither of her parents spoke English when they were sent as small children to boarding schools in Oklahoma and South Dakota. Singing and writing for as long as she can remember, Gwen understands from experience the important ways language and the land shape who we are. She was appointed as the Poet Laureate of Minnesota in 2021.
Registration
There is no cost to attend this event, however registration is required. A complimentary light evening meal will be served at 5:30 p.m. prior to the event start at 6:00 p.m.
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Online - Resistance, Resilience & Reimagination Information Session
2024-07-22 16:00 - 17:00, 2024-07-22 17:00 - 18:00, 2024-08-05 12:00 - 13:00, 2024-08-05 16:00 - 17:00 | Online
Join teachers of color and American Indian teachers from across the state in a year-long program designed to engage participants in navigating education systems with resistance, resilience, and reimagination. A partnership between Intermediate School District 917, Metro State University, and MHC, this PELSB (Minnesota Professional Educator Licensing and Standards Board) funded program provides free of cost and paid stipend opportunities for participants.
Register for one of four information sessions to learn more about this opportunity for teachers of color and American Indian teachers.

Monday July 22, 2024, 4:00 – 5:00 p.m.
Monday July 22, 2024, 5:00 – 6:00 p.m.
Monday August 5, 2024, 12:00 – 1:00 p.m.
Monday August 5, 2024, 4:00 – 5:00 p.m.

Registration
Registration Questions: registrations@mnhum.org
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Rochester - Resistance, Voice, and Verse: A Latino Poetry Reading
2025-04-10 18:00 - 19:00 | Rochester Public Library, 101 2nd St SE, Rochester, 55904, United States
Join us for a special Poetry Month celebration of Latino poetry at the Rochester Public Library! This engaging event will feature readings of powerful poems, and opportunities for discussion and reflection. Students from Rochester Public Schools will read poems from the recently released anthology, “Latino Poetry: The Library of America Anthology” as well as their original work, and the event will be emceed by City of Rochester Poet Laureate, Jean Prokott.
Attendees will have a chance to win a copy of “Latino Poetry: Library of America Anthology” – come celebrate the rich tradition of Latino poetry, connect with fellow poetry lovers, and share in the beauty of language and storytelling. Free to attend, light refreshments provided. All are welcome!
Latino Poetry: Places We Call Home is a major public humanities initiative, planned for 2024–25, that celebrates and explores the multifaceted legacy of Latino poetry. It is directed by Library of America and funded with generous support from the National Endowment for the Humanities and Emerson Collective.
Latino Poetry: Places We Call Home es una iniciativa de gran alcance en el campo de las humanidades públicas que celebra el legado multifacético de la poesía latina. Esta iniciativa de realiza bajo el auspicio de Library of America con el generoso financiamiento del Fondo Nacional para las Humanidades y Emerson Collective.

Minneapolis – Feeding Our Souls the Essence of Unity
2025-10-06 18:00 - 20:30 | Lynette, 3753 42nd Ave S, Minneapolis, MN, 55406, United States
Feeding Our Souls the Essence of Unity explores the themes of connecting and joy through food and community. Our host and feature partner is BIPOC Foodways Alliance (BFA) – a nonprofit organization that seeks to break down barriers between cultural communities using food as a tool. Through its program Immigrant Kitchen, BFA provides a platform for women of color and women of lived immigration and refugee experience to tell their stories through the lens of home cooking. They seek to uplift, share, and archive important cultural legacy stories and histories that mainstream food media may have a tendency to overlook or ignore. The evening’s host is Mecca Bos, Founder of BIPOC Foodways Alliance. Featured “home cook” chefs are Vivian Mims, Phonn Sann, Safa Abualreesh, and Christina Arias Acosta.
Mecca Bos is a Culinary Storyteller who has been working as a food writer and chef for more than 20 years. She worked as a staff writer for Insight News, food editor of the former publications Metro Magazine and City Pages, and has written for many local and national publications including Taste, Civil Eats, and The New York Times. She is a regular contributor to Minnesota Public Radio and is about to embark on a book that will be published by the University of Minnesota Press, Finding Our Tribe, exploring the biracial experience in America through the lens of food. She has worked as a chef, sous chef, and cook in many professional kitchens from casual to fine, including dinners at Platform by the James Beard Foundation in New York City.
Vivian Mims is a lifelong Rondo Community resident who learned to cook from her 94-year-old matriarch Juanell Mims. Vivian remembers extended, fried chicken dinners served by her mother every single Sunday. Vivian picked up the family tradition from her mother and is a skilled Soul Food cook. Vivian and her brother Davvie are currently working on a sprawling teleplay script that follows the trajectory of their family since they arrived in St. Paul during The Great Migration.
Phonn Sann is a Cambodian refugee who survived starvation in Thai Refugee camps during Cambodia’s devastating and brutal Civil War. She and her husband, Soreth Phann, were forced into an arranged marriage in that camp, and went on to have a large family who feel their family’s love through her mother’s cooking prowess. Phonn cooks Cambodian cuisine like a pro and keeps her family connected to their culture through this practice.
Safa Abulareesh moved to Minneapolis more than 30 years ago to join her husband who had business here. Like many Palestinians, she was born in Jordan after her grandparents were forced out of their home in Palestine during the 1948 “Nakba,” the mass displacement and dispossession of Palestinians during and after the 1948 Arab-Israeli War. Like many of those Palestinians, Safa is still deeply rooted to her culture and cooks her traditional food as both a way to stay tethered to that culture, as well as an act of resistance.
Christina Arias Acosta is from Mexico City and was Sean Sherman’s first hire at the Indigenous Food Lab in Minneapolis. She helps with everything, including making staff meals for the entire team. She learned to cook from her grandparents and plans to make a green mole that her grandmother learned from her grandmother. Sean says Christina is the “resident elder” at IFL. Christina’s daughter and granddaughter also work for the organization, carrying on the tradition of mothers learning to cook from their mothers.
Registration
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Red Wing - Art and War: A Conversation
2025-11-06 18:00 - 19:30 | Anderson Center at Tower View, 163 Tower View Drive, Red Wing, MN, 55066, United States
Join the Minnesota Humanities Center and Anderson Center for a moderated conversation with artists who either focus on the representation of war and armed conflict in their art, or who have created art that addressed these subjects. Artists will discuss their creative output, what it means to interpret experiences of warfare, what happens in the act of interpretation and artistic creation, and what the viewing public can learn from interaction with and communal discussion of these works.
About the Artists
Mary Horgan is an artist and retired Staff Sergeant (U.S. Army). Among multiple activations, she served in the Iraq War in 2006. Horgan’s art confronts the harsh realities of war and the honorable pursuit of peace for all. Since retiring, art has become her tool for healing, peace, and resistance. Horgan’s work includes the memorial to women Veterans, “You Will Not Erase Us,” commissioned by the City of Ramsey in Minnesota. She also creates a range of two and three-dimensional art pieces that explore themes of conflict, survival, resistance, nature, beauty, and truth-telling.
Besides her artistic work, Horgan is a mother and grandmother, and caretaker of animals and gardens. She is passionate about our nation’s democracy and creates work rooted in justice, resilience, and deep personal truth and recovery.
Justin Newhall is an American artist currently based in Minneapolis. His work has been exhibited at Museum of Contemporary Photography (Chicago), Walker Art Center (Minneapolis), Royal Academy of Arts (London), Galerie Lichtblick (Cologne), Museum of Art at Rhode Island School of Design (Providence), Tehran Museum of Contemporary Art, and Jen Bekman Gallery (New York), among others.
Newhall is the recipient of artist fellowships from the McKnight Foundation, Minnesota State Arts Board, and Jerome Foundation. His work is represented in public and private collections, including the Museum of Contemporary Photography, Walker Art Center, and George Eastman House (New York).
Megan Rye is a visual artist and teacher. She was born in Seoul, South Korea in 1975, and currently lives in Minneapolis. Through paintings, drawings, photography, and artists books, Rye uses visual storytelling to explore themes of migration, citizenship, remembrance, war, and democracy. Rye’s first significant body of work, “I Will Follow You Into the Dark,” was a series of paintings based on photographs Rye’s brother took while serving in Iraq. This project debuted at the Minneapolis Institute of Art (2007), and was Rye’s first solo exhibit in New York City at Forum Gallery (2011). The aftermath of the Iraq War continues to reverberate, and the paintings have been studied and exhibited widely, including a recent exhibition at the Kunsthalle Emden (Germany).
Rye’s work has been sustained by significant support from the Bush Foundation, McKnight Foundation, Jerome Foundation, and the Minnesota State Arts Board.
About the Moderator
Monica Moses Haller is an artist whose work spans photography, writing, sound, and focuses on personal details that explore violence and possibilities within social and environmental systems. She has received fellowships from the Guggenheim Foundation, McKnight Foundation, Jerome Foundation, and the National Endowment for the Arts, among others. Moses Haller has exhibited and lectured at locations including Centre Pompidou, Paris; the Leipziger Baumwollspinnerei, Leipzig; and the Minneapolis Institute of Art. Her artist books are collected by intuitions ranging from the Tate Modern, London, to MOMA, New York. Moses Haller works internationally and is based in her hometown of Minneapolis, where she is an associate professor at the University of Minnesota, Department of Art.
This program is presented in partnership with Anderson Center at Tower View, a Red Wing-based arts and humanities organization that celebrates the imagination and support the development of new arts and ideas through residencies, studios, and public engagement.
Registration
This event is free to attend. Registration is encouraged. Light refreshments will be served at the event.
Registration Questions: registrations@mnhum.org
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Online Content Session - Era Five: Slavery, Civil War, and Reconstruction
2026-01-15 16:00 - 17:30 | Online
Explore the causes, course, and consequences of the Civil War, and evaluate the transformative potential and limitations of Reconstruction. Led by Dr. Rebecca Brückmann and moderated by Dr. Katharine Gerbner, this session will provide deep historical context, source analysis, and thematic framing.

View Dr. Rebecca Brückmann’s Bio

Rebecca Brückmann (pronounced “Brookman”) is an associate professor of History at Carleton College, who specializes in African American History. She completed her Ph.D. in Modern and Contemporary History at Free University Berlin, Germany, in 2014. She is the author of the monograph “Massive Resistance and Southern Womanhood: White Women, Class, and Segregation” (University of Georgia Press, 2021), which analyzes whites supremacist women’s resistance against Black Freedom activism in Arkansas, Louisiana, and South Carolina from the 1940s to the 1960s. Her research on the Black Freedom Movement, the history of the Black Diaspora, Southern history, and the history of white supremacy has been published, e.g., in the Southern Quarterly, the South Carolina Historical Magazine, the European Journal of American Studies, and “Picturing Black History.” She is currently an Academic Leadership Fellow of the Associated Colleges of the Midwest. At Carleton, she teaches courses on Black and African American history from the 14th through the 21st centuries, including “Black Perspectives on the Civil War and Reconstruction,” “Slavery in the Atlantic World,” and “Freedom Then, Freedom Now: Reconstruction to #BlackLivesMatter.”

All Content Sessions will be conducted via Zoom and a Minnesota Department of Education (MDE)-hosted Canvas learning community. Each session’s lectures and discussions will be recorded and registered participants will receive access to the Canvas course with session recordings, curated resources, and collaborative planning tools. High school U.S. History teachers and 5th and 7th grade educators are invited to participate in companion Pedagogy Sessions.
Registration
Content Sessions are open to all K–12 educators interested in historical content and source-based instruction. Educators are welcome to register for individual sessions that align with their interests and schedules. Join us for one or more sessions throughout the year.

This event is free but registration is required. Separate registration is required for each offering.

Registration Questions: Brittany.Rawson-Haeg@state.mn.us

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This offering is part of Navigating the U.S. History Eras: Content, Pedagogy, and Inquiry in the Classroom is a yearlong professional learning opportunity supporting implementation of Minnesota’s 2021 K–12 Academic Standards in Social Studies presented by MHC and MDE.
